The symphony that is not one: Berlioz’s Roméo et Juliette with Gergiev and the LSO 6/11/13

‘What is there to say about Hector Berlioz’s Roméo et Juliette? A “dramatic symphony” in seven movements, featuring small and large choruses, and three soloists (two of whom sing for around five minutes each and one who sings for around 30), as well as a treasure trove of unusual instrumental combinations and sounds, it is safe to say this is something of an odd bird. Add to this a libretto by Émile Deschamps which not only misses out a great deal of Shakespeare’s drama but goes so far as to reorder it and even mentions the playwright by name, and it becomes apparent there’s something truly wacky afoot. And even that’s leaving out Berlioz’s frankly astonishing approach to melody and harmony. With echoes of Wagner, Brahms, and even Debussy scattered throughout, as well as a mind-bending reimagination of the Baroque “mad scene” for a new age, it is difficult to believe this piece was written in 1839.’

Read the rest of this review at Bachtrack.

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