Uncanny, surpassing Berlioz from Gergiev and the London Symphony Orchestra at the Barbican 31/10/13

‘A smattering of confused applause greeted gay rights activist Peter Tatchell to the Barbican Hall’s stage before the first instalment of the London Symphony Orchestra’s Berlioz cycle under Valery Gergiev. Stating that he did not wish to disrupt the performance, Tatchell made it clear he was there to protest Gergiev’s noted unwillingness to criticise Vladimir Putin’s record on human rights, particularly with regard to Russia recently prohibiting the dissemination of “propaganda of nontraditional sexual relations to minors”. Such demonstrations are nothing new to Valery Gergiev, whose concerts over the last few months have frequently been the subject of such protests, often far more disruptive than Tatchell’s restrained effort. The security (and an irate principal trumpet) having removed Tatchell from the platform, an apparently untroubled Gergiev came to the platform and launched a seemingly possessed LSO into some of the most thrilling Berlioz one could ever hope to hear.’

Read the whole review at Bachtrack here. Very much looking forward to Roméo et Juliètte on Wednesday…

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