The Appassionata opens John Lill’s Beethoven sonata cycle at Cadogan Hall, 7/10/13

‘The first of concert of John Lill’s Beethoven piano sonata cycle at Cadogan Hall saw a warhorse of the concert platform performing one of the great warhorses of the piano repertory. Alongside the concluding Op. 57 sonata – theAppassionata – we heard three lesser-known works, namely Op. 10 no. 3 in D, Op. 22 in B flat, and Op. 54 in F, presented in chronological order. Introducing Lill’s idiosyncratic programming, chosen, according to his prefatory note, to demonstrate in each concert something of the progression of Beethoven’s style, the earliest sonata came first and the Appassionata last, the latter paired with the practically unheard Op. 54 after the interval. Although a reasonable idea to ensure variety in each of a whopping eight concerts, such “big names last” programming often leads to a lack of focus in the earlier works on the programme, and the disparity in standard between first and second halves was rather disappointing, particularly from one who puts Beethoven first in his repertoire to such an extent as Lill.’

Read the whole review at Bachtrack here.

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